vanessa safavi

Untitled, 2018 (diptych), inkjet print, framed 26.5×21.5×3.2 cm 35.5x27x3.5 cm

Turns and Returned, exhibition view, The Breeder Athens

Extensible Innocence, 2018, colored silicone, framed, 102x83x7 cm

Turns and Returned, installation view, The Breeder Athens

Untitled, 2018, concrete, silicone straps, 29×15.5×5 cm

Untitled, 2018, concrete, silicone straps 35x16x5.5 cm

Untitled, 2018, concrete, silicone straps 12.5x20x5 cm

Turns and Returned, exhibition view, The Breeder Athens

Untitled, 2018, inkjet print, framed 26.5×21.5×3.2 cm

Green Shades (south), 2018, colored silicone, frame

Untitled, 2018, concrete, silicone straps 31x47x6 cm

Uterine Furries I, II, III, exhibition view, The Breeder Athens

Uterine Furries (II), 2018, plastic buckets, colored silicone, rope 83x43x14 cm

Uterine Furries (III), 2018, plastic buckets, colored silicone 100x30x12 cm

Uterine Furries I, II, III, exhibition view, The Breeder Athens

Turns and Returned, exhibition view, The Breeder Athens

Untitled, (After Courbet’s Blue), 2014, colored silicone, wood 30x23x7 cm

Untitled, (Note book from 2010 2012), 2013, book, mirror, plexiglas 22.6×16.5×4.5 cm

The Girl who kept Walking on Other People’s Feet (holding substitute)”, 2017, stainless steel structure, leather, ceramics, each ceramic: ø 22 cm, structure: 210 x 1120 cm ø 4 cm

The Girl who kept Walking on Other People’s Feet (holding substitute)”, 2017, stainless steel structure, leather, ceramics, each ceramic: ø 22 cm, structure: 210 x 1120 cm ø 4 cm

The Cook and the Smoke Detector, 2017, Exhibition view at ChertLüdde, Berlin

Complex Social Life – The triangle of Atrocity (Holding Substitute), 2017, steel, paint, 325 cm ø 4 cm

Hello Lobster!, 2017, silicone, wood frame, ø 57 cm

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The Cook and the Smoke Detector, 2017, Exhibition view at ChertLüdde, Berlin

The Witness, 2017, silicone, wood frame, 35 x 30 x 11 cm

The Victim, 2017, silicone, wood frame, 28 x 22 x 10 cm

Reasons and Disguises, 2016, glazed porcelain, 27 x 14 x 10 cm

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We can have sex on my neighbor’s lawn but I must be back before midnight, 2017, silicone, wood frame, 28 x 22 x 10 cm

He slowly stretched out his wife on a bed of rose, denials and doubts and whispered to her ears sandy and imperceptible words until her body finally took the shape of a drawer, 2017, silicone, wood frame, 28 x 22 x 10 cm

Inside Out, 2016, silicone, frame, 101 x 69 cm

Hand’s Bite, 2017, silicone, frame, 101 x 70 cm

Untitled (cosmos before and after #FF8E7 – #9CFFCE), 2015, silicone, plexiglas frame, 32,5 x 53,5 x 4 cm

Astronaut on drugs (XANAX), 2015, silicone, frame. 47.7 x 6 cm

Astronaut on drugs (ANTI-MOON DUST), 2015, silicon, frame. 47 x 7 x 6 cm

So Many Banana Skins in the Pathway (Holding Substitute I), 2016, Metal, paint, PVC, silicone, fabric, 98 x 13 x 6 cm

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No Omlette without Breaking Eggs (Holding Substitute IV), 2016, Metal, paint, cotton strap, silicone, 98 x 13 x 6 cm

Walking on Eggs (Holding Substitute V), 2016, Metal, paint, cotton strap, PVC, ginger cookie, chopstick, 98 x 13 x 6 cm

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Untitled, 2016, PVC foam, latex tubes, paint, 43 x 38cm

Hijacked Afternoon Plans, 2016, rigid PVC foam, paint, latex, chopsticks, coffee cups, dimensions variable

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Postponed Figure, 2016, hijacked Afternoon Plans, 2016, rigid PVC foam, paint, latex, chopsticks, coffee cups, dimensions variable

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Blind Date, 2016. Metal, paint, soft PVC, 108 x 18 x 58 cm

Ménage à trois, 2016, ceramic and porcelain, variable dimensions

Mauvaises Langues, 2016, ceramic and porcelain, variable dimensions

Les Figures Autonomes (Fiji), 2011, metal, paint, variable dimensions

Les Figures Autonomes (Ika), 2011, metal, paint, variable dimensions

Ourselves in Black Holes like Small Silences, 2013, silicone, rubber, 95 x 41 cm

In the black depths of the sea there exist aquatic creatures who create light out of themselves. It is one thing whom occur to me. What we see before us is just one tiny part of the world. We get into the habit of thinking, This is the world, but that’s not true at all. The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that, 2012. Plastic balls, (dyptich), plexiglass, pedestal. Dimensions variable