“The girl who kept walking on other people’s feet (holding substitute)”, 2017, stainless steel structure, leather, ceramic
“The Cook and the Smoke Detector”, 2017, Exhibition view at ChertLüdde, Berlin
“The Cook and the Smoke Detector”, 2017, Exhibition view at ChertLüdde, Berlin
“The Cook and the Smoke Detector”, 2017, Exhibition view at ChertLüdde, Berlin
“The Cook and the Smoke Detector”, 2017, Exhibition view at ChertLüdde, Berlin
“The Cook and the Smoke Detector”, 2017, Exhibition view at ChertLüdde, Berlin
“Complex social life – The triangle of atrocity (holding substitute)”, 2017, steel, paint, 325 cm ø 4 cm
“Hello Lobster!”, 2017, silicone, wood frame, ø 57 cm
“The Cook and the Smoke Detector”, 2017, Exhibition view at ChertLüdde, Berlin
“The witness”, 2017, silicone, wood frame, 35 x 30 x 11 cm
“The victim”, 2017, silicone, wood frame, 28 x 22 x 10 cm
“The murderer”, 2017, silicone, wood frame, 25 x 25 x 12 cm
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Mauvaises Langues, 2016,
The awful daring of a moment’s surrender which an age of prudence can never retract, Musée Arlaud, Lausanne
Ménage à trois, 2016,
The awful daring of a moment’s surrender which an age of prudence can never retract, Musée Arlaud, Lausanne
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Hijacked Afternoon Plans, PVC foams, paint, coffee cups, ginger biscuits, latex, 2016, THAT TIME, Gerðarsafn Kópavogur Art Museum
Perspectives à l’Envers, PVC foams, paint, coffee cups, ginger biscuits, latex, 2016, THAT TIME, Gerðarsafn Kópavogur Art Museum
Postponed Figure, PVC foams, paint, coffee cups, ginger biscuits, latex, 2016, THAT TIME, Gerðarsafn Kópavogur Art Museum
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Lies, (kitchen door), porcelain, 2016
Lies, (february), porcelain, 2016
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Walking on Eggs, (Holding substitute V), 2016
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No Omelette Without Breaking Eggs, (Holding Substitute IV) 2016
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Medulla Plaza, Kunstverein Grafschaft-Neuenhaus
(Foto credit Kunstverein Grafschaft Bentheim - Fotos: André Sobott)
Reasons and disguises, 2016
Life As A Comedy, 2016
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FAIR PLAY, Barbara Seiler
“So Many Banana Skins in the Pathway”, (Holding Substitue I, II, III), 2016
metal, paint, PVC, silicone, fabric
“So Many Banana Skins in the Pathway”, (Holding Substitue I), 2016
“So Many Banana Skins in the Pathway”, (Holding Substitue II), 2016
“So Many Banana Skins in the Pathway”, (Holding Substitue III), 2016
Blind Date, 2016
metal, paint
Loop, Feedback & Karma, 2016
metal, paint, polystyrene mold injection
My humanity, Our Verticality
goosneck, paint, polystyrene mold injection
Untitled, 2016
plexiglas, edition of 39 (various colours)
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Home, 2016
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Inflected Objects #2: Circulation – mise en séance, De Hallen Museum, group exhibition, Haarlem, Nederland
Restart, 2016
plaster hand casts, silicone
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Courtesy of Salts, Basel
Searching into my memories I remember the warmth and the gentle touch of a hand and realized that the world eventually starts there, 2015
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Amygdala, The Breeder, Athens, 2015
Amygdala, 2015
Structure for Bodies (Leaning), 2015 (with Stéphane Barbier Bouvet)
Structure for Bodies (Leaning), 2015, (with Stéphane Barbier Bouvet)
Structure for Bodies (Sitting), 2015, (with Stéphane Barbier Bouvet)
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Airbags, MOT International, Brussels, 2015
Uncertainty 4, 2015
metal, bandages, plaster, silicon
66 x 120 x 220 cm
Uncertainty 1, 2015
metal, bandages, plaster, silicon
90 x 36 x 210 cm
Uncertainty 2, 2015
metal, bandages, plaster, silicon
73 x 25 x 200 cm
Bending pushing pulling lifting twisting (1,2,3), 2015
3 aluminium sheets, plaster
133 x 58 cm
Astronaut on drugs (XANAX), 2015
silicon, frame
ø 47.7 x 6 cm
Innovate Compulsion, 2017
untitled (cosmos before and after #FF8E7 – #9CFFCE), 2015
silicone, frame 32.5 x 53.5 x 4 cm
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Inside Out, 2016
Essential Serendipity, 2014
silicone, frame. 82,5 x 68,5 cm
Hands Bite, 2017
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cloud metal cities
kunsthalle Sao Paulo, Brazil, 2014
dripping facades, 2014. Aluminum sheets, silicone, light bulb, “missed connections”texts
Invisible shadows, crystallized lovers’, 2014. Performance. Aluminum sheets, light bulb, “missed connections”texts
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Three Pound of Jelly, CHERT, Berlin 2013
Intérieures (series of 13)
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vanessa.safavi@gmail.com